Label: Interdisco - IDLP 0010-S • Format: Vinyl LP, Album • Country: Portugal • Genre: Folk, World, & Country •
To browse Academia. Skip to main content. You're using an out-of-date version of Internet Explorer. Log In Sign Up. Susana Sardo. Inter con textualidade. Fado, Folklore and the Protest Song in Portugal: repolitization and co aesthetic feelings in the context of dictatorship and democracy3 Abstract: This text seeks to share a work in progress and my thoughts about the symbolic place of some musical practices in the context of dictatorship and democracy in Portugal.
It has been developed since through the analysis of historical Walhalla Is Calling - The Granits - Noten Aus Granit and fieldwork, in the latter case among the Portuguese folklore groups and some sing-songwriters who had a particular role in the revolutionary process that in ended the fascist dictatorship in Portugal.
My reflection focuses on the analysis of two musical universes a concept here understood as a constellation of stylistic, aesthetic, contextual and ideological ingredients associated with musicwhich were used, apparently, with distinct political roles. The first includes the performative genre Fado and a repertoire generally designated by Folklore, which were politicaly instrumentalized during the Estado Novo dictatorship The second refers to a type of song, born as a reaction to the fascist regime, that has become a Vinho Novo - Manuel Lemos - Canta Folclore of the revolution.
As its name is not consensual — as I shall explain below — I choose to name it generically as Protest Song. The relationship of these two musical universes to a politically and socially repressive past in the case of fado and folklore and a process of anti-fascist struggle and education for democracy in the case of protest song did not prevent their survival after the end of the dictatorship. In this paper I will try to understand how these two musical universes, with so distinct political stories, survived to time, ideologies and institutional policies in which they were generated or promoted.
Keywords: Music. Inter con textualization. Portugal 3 This article originated as a guest lecture for students of the Post-Graduate Programme in Music at the University of Rio de Janeiro on August 20th,at the invitation of Dr.
Elizabeth Travassos. This written version now includes the results of the stimulating conversions and discussions I had the pri- vilege to share with Elizabeth in the days after the conference, which I remember fondly with much respect and admiration. Thus, this text — and many others — was written in dialogue with what I learned from her.
Vinho Novo - Manuel Lemos - Canta Folclore bem essa franqueza, fica bem, que o povo nunca a desmente. Capa da partitura do fado Uma Casa Portuguesa. Audio 1.
Em 13 anos de luta armada resultaram cerca infantil de brincar com bonecos ou pela aspira- de mortos e NO- vessem sucesso escolar. Fundada ema Uni- organizados. Imagem comemorativa dos 40 anos do 25 de Abril exibida nos expositores Vinho Novo - Manuel Lemos - Canta Folclore de Lisboa para ser lida em voz alta. Audio 2. Trova do Vento que Passa. Os Vampiros. Figura 5. Capa do disco Cantigas do Maio Audio 5.
Figura 8. De que modo Dirty Sticky Floors - Dave Gahan - Paper Monsters dois universos musicais aci- em lugares diversos. Um olhar Fraterno. Vol 4. Centro e Periferia. Lisboa: Difel, Lisboa: Livros Horizonte, Lisboa: Celta, Urbana and Chicago: University of Illi- nois Press, Fancy: For Two To Play - Igor Kipnis, Thurston Dart - Mozart*, Byrd*, Farnaby*, Tomkins*, Le Roux*, Related Papers.
By Susana Sardo and Letra Voz. By Ana Maria Saldanha. By Paula Guerra and Keep it simple, make it fast! By Susana Sardo. By Ricardo Nicolay. Download pdf. Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link.
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